Onnu rendu moonu from Pudhiya Mannargal (1994) Song review & Analysis by Rithika Prabakar | AR Rahman

Pudhiya Mannargal released in 1994, has this catchy song 'Onnu rendu moonu' sung by Mano and KS Chitra. Most songs in Pudhiya Mannargal aren’t widely known, despite it being one of A.R. Rahman’s early scores. However, "Onnu Rendu Moonu" is the type of song that can instantly become a favorite on first listen. Interestingly, this song was never picturized or included in the film. Its lyrics suggest a lighthearted boy-girl debate, giving it a playful, harmless charm.

A.R. Rahman was relatively new to the Tamil film industry at the time of composing Pudhiya Mannargal. His unique style combined traditional Indian music with contemporary elements, which was groundbreaking. This fusion is evident in "Onnu Rendu Moonu," where he utilized a mix of electronic sounds and classical instrumentation like Strings, mridangam and morsings with interesting melody and rhythm pattern. Here Rahman makes remarkable use of synthesizers, drum machines, and sampled effects, which was a fresh sound in the 90s Tamil music scene. This use of synthesizers alongside classical instruments creates a unique soundscape that enhances the lyrical content. The song is characterized by its fusion and catchy melody, typical of Rahman's work, which blends traditional Indian music with contemporary sounds.

The song gives a playful and peppy mood. The rhythmic layers in the background provide an infectious energy, giving the song a bouncy, danceable feel. It features prominent playback singers Mano and K.S. Chithra, both of whom were at the height of their careers during this period. Their collaboration on this track is notable, as it showcases their vocal chemistry. The lyrics revolve around the theme of "Men vs. Women" and are filled with humor and wordplay, which Mano and Chithra deliver with delightful interplay. The vocals of Mano and Chithra create a conversational melody that is both engaging and soothing. Mano’s expressive and lively tone enhances the song's flirtatious feel, while Chitra’s singing is full of grace, bringing a playful yet controlled approach. 

This song invites multiple listens for the effortless joy it brings. It illustrates Rahman's ability to make tracks that are both fun and innovative. It exemplifies Rahman's 90s style, where he seamlessly fused pop and Western techno beats with Tamil lyrics and Indian rhythms. This period in Rahman's career saw the emergence of his distinct sound.

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